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  4. » The Limpid Stram

 
The Limpid Stram...

Terra

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The Limpid Stram sent on March 25, 2018 (8:28) by Francesco Merenda. 116 comments, 2781 views.

at 19mm, 1/1000 f/7.1, ISO 200,




View High Resolution 2.2 MP  

167 persons like it: -massimiliano-, 1niko, Acromion69, Afrikachiara, Agata Arezzo, Alberto Gaddi, Albieri Sergio, Alepou, Altenmich, Andrea Cacciari, Andrea Costaguta, Andros51, AnnH, Arconudo, Arvina, Ase80, Baccio78, Bal, Baribal, Ben-G, BeyondNicScogna, Biberon, Bizzicoluè, Brièxit, Bruno Brogi, Buonaluce, Capitanlafit, Carla Tirasso, Carlol77, Caterina Bruzzone, Chiara Andolfatto, Circe, Cirillo Donelli, Claudio Cozzani, Coradocon, Cosiminodegenerali, Curatolo 53, Daniele Ferrari, Danpa76, Davidemme, Diego-v-73, Drogo, Ellebi, Fabiana, Fabrizios53, Fbrixio, Fedebetta, Fedebobo, Fernando Vendittelli, Fiorenzofanton, Flaber70, Fonzie, Fotobyx73, Francesco Iafelice, Franco Molinari, Gabriele Castellari, Gabrielle Martin, Gasper1990, Germano58, Gianni.elia, Giordano Vergani, Giorgio Busignani, Giovanni Antonini, Giovanni Teti, Giuliano V., Giuseppe Guadagno, Giuseppe Merlino, Giuseppe Zito, Giuseppe58, Ilmore52, Iw7bzn, I_Felix, Jankoj, Jeronim, Julia Mospan, Karmal, Klaudiom, Left, Litheski, Lorenzo Crovetto, Lu141, Luigi Biancucci, Luigi Casetta, Luigi Mossali, Lully, MadEmilio, Maderu, Makar79, Marco Biancalani, Marco Neri, Marco434, Marcof86, Maria Rosaria Iazzetta, Marlene194, Massimiliano Montemagno, Massimo De Padova, Massimo P, Matteo Bertolaso, Matteo L., Matteo Magnaghi, Matteobelletti, MattewX, Mauro X, Mauropol, MetalPanda, Miche74, Michela Checchetto, NaCapaTanta, Nicola Pezzatini, Nonnachecca, Novizio, Occiobi79, Omero, P.a.t 62, Paki64, Palmieri Raimondo, Paolo M., Paolo P, Paoloz2, Patrizio Rigobello, Patty.P, Peppe Cancellieri, Pierfilippi, Pirosseno, Pistinna, Puppodums, Raffaele49, Riccardoerre, Rino Orlandi, Rizioc, Roberto Degli Uomini, Roberto Lambertini, Roberto M Parma, Roberto Tamanza, Robybinfa, Ronda, Ros1, Rosamaria Bidoli, Rovetto.alex, Ruzza Stefano, Sasal, Sballone, Scosso, Sergio Darsie, Sergio Levorato, SergioFermi, Sg67, Shapo, Silvio Maccario, Silvio Madeddu, Simodrinkwater, Soriana, Ste Martini, Stefania Saffioti, Stefano Vascelli, Stefano Vezzani, Stefanob, Stefanoghirardo, Steve 77, Timk2, Tritonal, TwoOwl2, Vale_Milo, Vincenzo Sciumè, Vins60, Vittorio.f, Walter Colombo




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avatarsenior
sent on March 25, 2018 (8:31) | This comment has been automatically translated (show/hide original)

Almost almost the mold and I say it's mine .....

avatarsenior
sent on March 25, 2018 (8:32) | This comment has been automatically translated (show/hide original)

Max, but is not yours? I thought I had stolen it from you .... :-D

avatarsenior
sent on March 25, 2018 (8:37) | This comment has been automatically translated (show/hide original)

Maybe ! Then I do not have Canon, I can not even cheat :-D

avatarsenior
sent on March 25, 2018 (8:38) | This comment has been automatically translated (show/hide original)

But I do not even have it, you know!

avatarsenior
sent on March 25, 2018 (8:41) | This comment has been automatically translated (show/hide original)

Beautiful composition and bn! I love it!

avatarsenior
sent on March 25, 2018 (8:46) | This comment has been automatically translated (show/hide original)

Thank you so much for the appreciation of dear Lisa!
Have a nice Sunday
F

avatarsenior
sent on March 25, 2018 (8:55) | This comment has been automatically translated (show/hide original)

Beautiful; It is incredible how simple compositions are always the most effective, but only if they are captured by a closer look than others.
It was a bit '(a bit' :-D) that you could not see; my BN began to fail me ;-)

avatarsenior
sent on March 25, 2018 (9:01) | This comment has been automatically translated (show/hide original)

Hola dear Daniel! Pleased to meet you! :-)
In reality, speaking of Juventus, more than the composition itself I believe that the question is the formal apparatus, if I may say so. That is, beyond the search for proportions of geometry and space, the maximum clarity and legibility of the present shapes always benefits.
And I think this is a decisive property of the monochromatic: often we discuss the black and white in terms of post, or otherwise of treatment, but in reality the monochromatic idea should be born upstream and lead to different choices, at the time of shooting, both as composition that as an exposure.

So, Sunday talk ;-)
hugs
F

avatarsenior
sent on March 25, 2018 (9:04) | This comment has been automatically translated (show/hide original)

Sunday chatter, but the principle is interesting

avatarsenior
sent on March 25, 2018 (9:07) | This comment has been translated

Very very nice, congratulations!

avatarsenior
sent on March 25, 2018 (9:09) | This comment has been automatically translated (show/hide original)

I also think Daniele.
I mean ... it should be obvious, in theory. But I often realize that it is not for everyone.
And it is normal that you look at the black and white as a way to save wrong photos (on the one hand) or watch it as a kind of artistic model (on the other).
I do not want to bother the word "language", which then jumps out Barthes and other rumors that go into controversy, but certainly a mature and weighted black and white rests on different criteria from those of color, from a different grammar.
That is, and maybe it could be a starting point for other chitchat, the concept of "seeing in bianconero" is not a metaphorical abstraction, an image, but something very precise and well definable.
At least, as they say .... IMHO 8-)

avatarsenior
sent on March 25, 2018 (9:10) | This comment has been automatically translated (show/hide original)

Thank you so much for the Woody appreciation!

avatarsenior
sent on March 25, 2018 (9:20) | This comment has been automatically translated (show/hide original)

Wonderful image that reminds me of my childhood, when I finished school I went on holidays in Sicily from the grandmothers, where often on the street you could see trucks abandoned cars, where the children played. Congratulations always great Francesco.
Hello, Nicholas

avatarsenior
sent on March 25, 2018 (9:25) | This comment has been automatically translated (show/hide original)

Hola! Thanks Nicolò!
Also for having reminded us that the Mediterranean is perhaps something that unites rather than divides. Even if on one side and on the other certain "times" can be different :-)

A hug
F

avatarsupporter
sent on March 25, 2018 (9:33) | This comment has been automatically translated (show/hide original)

A good story very well done.
I was struck by that means of transport of a bygone era now obsolete without a seat and with a wheel on the ground who knows how long abandoned in that corner and that child of other times (without the inevitable current technological means; )) who walks without a precise goal. It reminded me of that wonderful movie called Nuovo Cinema paradiso.
Bravo Francesco
Have a nice Sunday
Angel

avatarsenior
sent on March 25, 2018 (9:36) | This comment has been automatically translated (show/hide original)

Bella the quote Angelo, which alone ennobles everything ... :-)
Already: bits of the world that tell a different speed, always interesting point to use the camera.

A hug!
F

avatarjunior
sent on March 25, 2018 (9:39) | This comment has been automatically translated (show/hide original)

This timeless image is very beautiful and evocative, in which in the immobile history represented by the walls, the door and the abandoned vehicle, the only sign of life is the child in motion, only with his shadow.

avatarsenior
sent on March 25, 2018 (9:43) | This comment has been automatically translated (show/hide original)

Reading really very beautiful Litheski.
Above all because it underlines an element that I think is very important in every photograph, even if it is rarely recalled. That is the time.
Time that in your reading becomes the true protagonist, for me very appreciably.

Thank you very much and have a nice day
F

avatarsupporter
sent on March 25, 2018 (10:09)

A beautiful b/n, Francesco - uncluttered and well-balanced. I find my eye enjoying travelling around the scene, exploring the various elements and imagining a story behind what I see.

It is most interesting to read your thoughts on black and white, Franceso. I admit I often deliberately blow highlights and darken shadows for the sake of my own artistic interpretation of a scene, but not always - it depends on what I am shooting and what I am looking to achieve.

Ann :))

avatarsenior
sent on March 25, 2018 (10:12) | This comment has been automatically translated (show/hide original)

Thank you so much dear Ann :-)
I believe that in the bianconero the interpretive freedom, without the need to ask too much the problem of the "true", is one of the most beautiful sides. I do not think I started for that (the reason was more "material"), but I think it is for what I have left (and I am) in love.

A hug and happy Sunday
F





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